A couple of weeks ago, a friend from Marseille wrote to
complain about an initiative to include the name of a sponsor in that of the City’s historic
stadium, the Vélodrome.
‘Will it become the ‘Vélodrome Nutella’?’ he asks. And
goes on to wonder whether Bernard Delanoë, mayor of Paris, isn’t missing a
trick. ‘Why not turn the Champs Elysées,’ he suggests, ‘into the Champs L’Oréal – because we deserve it?’
Funnily, not more
than a couple of hours after reading his remarks, I discovered that St James’s
Park, as iconic in Newcastle as the Vélodrome is in Marseille, was being
rebaptised the Sports Direct St James’s Park stadium. It seems that there’s
a bit of trend starting here.
My friend sees cynicism in all this, quoting Oscar Wilde’s
view that a cynic is a man who knows the price of everything and the value of
nothing.
Well, maybe. On the other hand, isn’t this just a matter of turning
some grand old monuments into tributes to business? And doesn’t business
perhaps deserve them? After all, isn’t it to some our greatest businesses, especially in financial services, that we owe today’s climate of economic stability and widespread prosperity?
On the other hand, I was a little disturbed by a sight that
greeted me as I came through St Pancras International station the other day.
The main hall now houses a massive Christmas tree made of Lego bits.
Lego gets the tone right |
At first sight, I was amused by it – it’s striking and funny
at the same time. But then I thought again.
Christmas is the second most
important feast of the Christian year after Easter (yes, though you wouldn’t
know it from the scale of the celebrations, the death and resurrection trump, in
liturgical terms, the birth. You’ve got to admit that birth’s more common). This is a time of year devoted, by Christians at least, to giving thanks for
the birth of the Lord and Redeemer of all mankind. Turning it into an
opportunity for advertising by Lego, however charming, might seem
inappropriate.
After all, what would it say about our moral qualities in
the West if Christmas became just another massive binge of commercialism?
Postscript with no relevance to the above: we’ve just
started watching the second series of The
Killing. It’s proving as gripping and powerful as the first (I’m talking
about the original Danish version – I don’t know about the American remake
which I haven’t watched).
What’s extraordinary is that Series 2 manages to be strikingly fresh in
feeling, even though the formula is exactly the same: a main story that is a
classic thriller based around murder (but with an extraordinary central character
in the detective, Sarah Lund), a family struggling with events risking to tear
it apart, and a reasonably likeable political figure having to cope with a crisis
of fearful complexity without being able to place full trust in his staff.
Well worth watching.
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