Great way to binge through the lockdown

Unorthodox. Shira Haas in Berlin’s Wannsee lake

Even at the best of times, Danielle and I enjoy binging on TV series.

Obviously, it helps if they’re good. Or at least that we like them. But I have to admit that there have been occasions when, watching episode four of the third season of a series, one of us will turn to the other and point out:

“This really isn’t very good, is it?”

“No,” replies the other, “I can’t relate to any of the characters and I don’t care what happens to them next.”

Quite a discovery after 28 episodes.

This isn’t the best of times. During a Coronavirus lockdown, binge watching isn’t just an indulgence (OK, OK, if you prefer, an over-indulgence), it’s also an excellent way of spending evenings when you’re obliged to stay in.

For the moment, we’re still being fairly discriminating. If the lockdown goes on long enough, we may well be forced, as we start season 3 of something mediocre, to say, “well, we may not relate to any of the characters or care what happens next but, hey, there’s nothing else on that we haven’t already seen”. But recently, we’ve seen some pretty great things.

Billions was gripping, even if at times I couldn’t bear any of the characters. That, actually, was something the writers pulled off pretty cleverly, making one character or another off-putting for a while, and then making him or her sympathetic again. A smart trick if you can make it work. Which they did.

Paul Giamatti and Damian Lewis in Billions
A near-deadly rivalry. Except when it isn’t

For those who don’t know the series, it’s about a successful hedge fund manager (Damian Lewis) whose activities sail close to the illegal, if not right over the edge into the downright criminal, as claimed by a US attorney (Paul Giamatti) intent on bringing him down.

Just like our sympathies for the characters, the show’s writers keep changing the direction of the two men’s antipathies. Now they’re intent on destroying each other, then they turn their animosity onto someone else. Around them, in a first-class cast, stand some extraordinary characters, including an outstanding non-binary figure (“my pronouns are 'they, theirs, and them’”) played by a non-binary actor, Asia Kate Dillon. Just as good is Maggie Siff as the psychiatrist and wife of the US Attorney. All in all, it’s pretty enthralling.

Equally worth seeing is For All Mankind. This is an alternative-reality story, where the space race between the US and the Soviet Union goes on far longer, and extends far further, than actually happened. Again, there are plenty of excellent performances, as well as plenty of fine shots of rockets taking off or of explorers working on the moon, alongside plenty of tense sequences, mostly in space but sometimes also in the homes of the astronauts and other NASA staff we follow.

It’s gripping with its tension, and all the more watchable for the sense of plausibility it manages to create.

Working on the Moon, in For All Mankind

Far better than anything else, however, is Unorthdox. Based in part on Debora Feldman’s autobiography Unorthodox, the Scandalous Rejection of my Hasidic Roots, it’s a four-episode mini-series, about a young woman, Esty, brilliantly played by Israeli actor Shira Haas, from an ultra-orthodox Jewish community in Brooklyn.

The central concern is whether she’ll be able to get away.

This is the first Netlfix series filmed predominantly in Yiddish, the language spoken by that community rather than Hebrew. Haas had to come over a month early to Berlin, where the series was filmed, to learn the language.

The series shows both the community, with its everyday existence and its rituals back in Brooklyn, in the form of flashbacks to Esty’s life there, spliced into scenes of the life she is now working to build for herself in Berlin. The flashbacks include her marriage and, in some poignant but intensely comic moments, the difficulties she has consummating it, difficulties considerably worsened by the fact that her husband tells his mother everything, and she insists on tutoring Esty on how to steel herself to have sex.

Sex is key because her fundamental obligation is to produce children. To her too, this is a sacred duty. “We’re rebuilding the six million lost,” she declares, “Jews killed in the Holocaust.” But that doesn’t make sex with the husband she married by arrangement any less painful.

Esty (Shira Haas) at the Wannsee, still dressed as a Hasid (left)
and as she begins to forge a new life for herself

In a key scene from the first episode, a group of student friends she has just made takes Esty down to the beautiful Berlin lake, the Wannsee. It’s a place where people go to walk or relax or swim. But in 1942, it was the venue for the Wannsee Conference which took the decision to wipe out the Jewish population of Europe.

When Esty first sees the lake, she’s left speechless. But then Robert, one of the students, says:

“It’s nice, right? But you see that villa? The conference where the Nazis decided to kill the Jews in the concentration camps took place in 1942. In that villa.”

She looks at the villa.

“And you swim in this lake?” she replies.

He laughs. “The lake is just a lake,” he says.

Esty water into the water, still wearing her skirt and one of her two long-sleeved shirts. She takes off the wig that orthodox Jewish women wear after marriage. Under the wig, her head is practically shaved. She drops the wig in the water.

That gesture reminds me of a Jewish friend of ours who told us of a moment when her children were playing with others in a local park. Another Jewish woman came over to remonstrate with her for letting them play with non-Jewish kids.

Infuriated, she went straight over to a bridge across a stream at the edge of the park and threw her wig in it. She never wore one again.

Throwing a wig into water speaks to me powerfully about bids for freedom.

Haas says that the story is “about the right to have your voice”. It certainly is. Indeed, if you watch it to the end, you’ll discover why that’s a particularly apt summing up.

Unorthodox is an excellent way of spending an evening. A great break from the lockdown. You might even manage to spread it to two, though we went through all four episodes in just one sitting.

It was that compelling.