Karra Elejalde as Miguel de Unamuno |
The 12th of October. That’s no random date. Even today, it’s Spain’s national day. It was chosen to mark the moment that Spain, through Christopher Columbus, ‘discovered’ America. That’s not an event much celebrated by the descendants who were already there and quickly learned to regret being discovered.
Back in 1936, it had been baptised the ‘Day of the Race’. That’s nothing to do with trying to run faster than others. It’s to do with celebrating the Spanish race above all others. If it weren’t so ugly, and hadn’t cost so many lives, this notion of race would be laughable: the Spanish are descendants of Celtic Iberian villagers, mixed with Carthaginian traders, followed by Roman legionaries, and then Germanic tribesmen who came marauding and stayed to settle before being overrun in turn by Arab adventurers; somewhere Jewish merchants and administrators joined the mix, along no doubt with Catholics from England and Ireland or exiles from Italy, to say nothing of the many ‘Indians’ from the Americas who came back along the shipping lanes that Columbus opened in the other direction.
In other words, the Spanish even in 1936 were about as racially pure as any street mongrel. Just like the English, with their Celtic roots, their smattering of Latin speakers, overrun by Anglo-Saxons and later by Norsemen of various types, to which have been added Jews from all over Europe and North Africa or Indians – not the American variety, but the kind that includes the whole of the Asian subcontinent covering Pakistan too – Nigerians, Jamaicans, Poles and Russians, and a glorious, rich mix of every nation on earth.
Still, to Spanish Fascists of 1936, the race was something to celebrate. And they did so in the great lecture theatre of the University of Salamanca.
One of those present that day was Miguel de Unamuno, philosopher, writer, poet and then rector of the University. He had been disgusted with the disorder and chaos of the Republic and had welcomed the military uprising as a way to bring back peace and order to his country. The Republic dismissed him. The rebellion restored him.
For a while he thought he could count on Franco’s support, if only to save the lives of friends of his who had been arrested. It was a vain hope. Two of his closest companions were murdered despite his entreaties.
On the 12th of October, he wasn’t due to speak. So he listened to speeches extolling the greatness of Spain, and of the holy war now being fought to save it.
Finally, he could stand it no more. He rose and began to speak:
I know you must be expecting my words, because you know me and you know that I am incapable of remaining silent in the face of what is being said. Saying nothing can, sometimes, mean acquiescing… I had said that I didn’t want to speak, because I know myself. But… I have to. There has been talk here of an international war in defence of Christian civilisation… But this one is only an uncivil war… To win is not to convince, and above all one has to convince. But there is no convincing through hatred that leaves no place to compassion…
Another presence on the platform was that of General Millan Astray, founder of the Spanish Foreign Legion. After Unamuno spoke, there were cries from the audience of the Legion’s slogan, “¡Viva la Muerte!”, “Long live Death!” Unamuno replied:
I have just heard the cry “long live death!” That sounds the same as “death to life!” And I, who have spent my whole life creating paradoxes that annoyed those who didn’t understand them, have to say to you, as an expert in the matter, that this paradox strikes me as ridiculous and repellent… Whatever the proverb may say, I have always been a prophet in my own country. You will win, but you will not convince. You will win because you have superior brute force, but you will not convince because convincing means persuading. And to persuade you need something that you are missing in this struggle, reason and right.
The words “you will win but you will not convince” work better in Spanish: “Venceréis, pero no convenceréis”.
This is the scene to which Alejando Amenábar’s latest film, While at War, builds.
There’s controversy about the film. It’s far from certain that the words traditionally attributed to Unamuno are exactly the ones he spoke: there’s no recording or transcript available. There is even a school of thought that suggest the words were embellished by a left-wing Spanish journalist who took refuge in London after the war, Luis Portillo. In a neat irony, he had a son in Britain, Michael, who became a Conservative politician and a minister in Margaret Thatcher’s cabinet.
There are also mixed views of the film. Amenábar has a tendency to distance himself perhaps a little too much from his characters, and that makes it difficult to empathise with them, and to feel their tragedy ourselves, viscerally. I did, but my two companions, one of my sons and my daughter-out-law, didn’t: the film left them cold and unengaged.
It didn’t leave me cold. I was fascinated by its depiction of Franco as a truly little man, in moral as well as physical stature, worming his way towards power. Millan Astray came across as just the monster I’ve always believed he was. But I was particularly fascinated by the depiction of Unamuno, as a man who got the politics wrong at the beginning and had, slowly and with enormous pain, to admit his error and put it right with what was, after all, an immensely courageous public statement repudiating the Fascists and all they stood for.
It didn’t happen exactly as in the film. The audience didn’t mob him or threaten to lynch him. He wasn’t rescued by Franco’s wife. But it’s true that immediately afterward, he was dismissed as rector for the second time and definitively. He was also placed under house arrest. He died two months later.
The aftermath of Unamuno’s speech was no lynching He’s surrounded by Fascists, but Millan Astray is shaking his hand |
There’s plenty wrong with the film, but plenty right too. I enjoyed it, partly because it’s the first time I’ve seen a film in Spanish without subtitles. It means I shall watch it again as soon as I can, if only to be able to say again and again, “oh, that’s what he was saying.”
I will, however, also be watching it again because for me, at least, it’s well worth seeing twice.
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