Halloween revellers in the Madrid metro Heading home late the morning after |
31 October was the latest date that Britain was to leave the EU. This was absolutely clear. To Boris Johnson, Prime Minister, it was a matter of ‘do or die’. Indeed, he said he would rather die in a ditch than accept that he had to get a further extension to the Brexit timetable.
But he didn’t do Brexit by the deadline he set. Nor did he die. A ditch? No trace of one in his existence yet. It’s enough to make one wonder whether one can entirely trust his word. Many tell me that you know that Boris is lying by the fact that he’s breathing. However, as my American friends can no doubt testify, you just don’t get pathological liars leading major nations.
Do you?
So no Brexit. Or at least not yet.
On the other hand, the event that wasn’t supposed to happen was my brusque and involuntary departure from the company. Halloween was the day of my latest redundancy. But at least, on this occasion, I’m going out on a high. This was undoubtedly the best job I’ve had, with the best boss and the best team. What’s more, a great many people with whom the team worked have written to say how much they’re going to miss us. My quarrel isn’t with anyone I know but only with people who haven’t the faintest idea about what the team was doing. Just a pity that, despite knowing so little, they were the ones taking the decisions.
Good memories accompany my departure, and contacts I hope will endure, with former colleagues who are also good friends.
We took advantage of our presence in Madrid to see our sons and their partners and, in particular, our new granddaughter Matilda.
Matilda appreciating life |
Monument to the Atocha Lawyers |
The statue in Madrid is a moving reminder of how costly it can sometimes be to defend rights. And how important.
Equally touching was a pair of paintings I saw in one of my favourite galleries, the Thyssen-Bornemisza. The first was a portrait of Quappi in a Pink Jumper, full of affection but also of forceful personality.
Powerful, intriguing portrait by Beckmann Quappi in a Pink Jumper |
Max Beckmann in one of his many self-portraits |
In 1948, they left Europe for the US where he renewed a successful career not just as an artist, but as a teacher. Far too short a career, as longstanding heart disease killed him 1950 at the age of 66 (my own age, so I can testify that it’s far too young to die).
According to his widow, he had been on his way to see one of his paintings in an exhibition at the Metropolitan Museum of Art in New York.
And who was that widow? Why, the Quappi of the painting. It seems that the affection it radiates isn’t simply art. It reflects a real sentiment.
Degenerate art? How could the failed painter Hitler have any idea of what was good or what wasn’t? And what a disgraceful abuse of power it was to oppress men like Beckmann, as it was to murder the Atocha lawyers.
The US gained by Germany’s attempt to crush Beckmann. As the Spanish Communist Party benefited from the right-wing attempt on some of its leaders. A lesson worth remembering at a time when many in America, or Britain, seem indifferent to the value of tolerating opposing views to one’s own.
My Halloween trip was full of poignant moments. Leaving a much-loved job. Seeing some much-loved family members. And admiring two works of art dedicated to the protection of much-loved freedoms.
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